一些網(wǎng)站上會教大家按照裝訂的方式來進(jìn)行排版，但其實(shí)這是非常錯誤的，例如：一本20頁的書刊，常用的裝訂方式為騎馬釘，許多設(shè)計師會按照P1，P20，P2，P19...這樣的方式來編排頁碼順序，但事實(shí)上，不管什么樣的裝訂方式，你只需按照P1，P2，P3，P4...這樣的頁碼順序排版就可以了。
Some websites teach people to arrange the pages according to the binding method, but this is actually very wrong. For example, for a 20 page book, the commonly used binding method is horse riding nails. Many designers arrange the page order according to P1, P20, P2, P19... but in fact, regardless of the binding method, you only need to arrange the page order according to P1, P2, P3, P4.
通常書刊的目錄與序是不加頁碼的，但方便讀者查找，也可以將序的頁碼標(biāo)記成羅馬數(shù)字，以便和正文的頁碼阿拉伯?dāng)?shù)字區(qū)分開來，一本書刊的頁碼開始于正文的第1頁，而大部分書刊都是從右側(cè)開始第1頁，這也符合人們的閱讀習(xí)慣，如果是倒序的排版那么頁是從左側(cè)開始。
Generally, the contents and prefaces of books and periodicals do not have page numbers, but it is convenient for readers to find them. The page numbers of prefaces can also be marked with Roman numerals to distinguish them from the page numbers of the main text Arabic numerals. The page numbers of a book and periodical start from the first page of the main text, while most books and periodicals start from the first page of the right side, which is also in line with people's reading habits. If the layout is reversed, the page starts from the left side.
頁碼可以放于頁腳的中間，也可以放于兩側(cè)，但如果放于兩側(cè)一定要注意，單數(shù)頁是放于右側(cè)，而雙數(shù)頁碼需要放在左側(cè)，若是倒序排版的則相反，單數(shù)頁在左側(cè)而雙數(shù)頁碼放在右側(cè)。
The page number can be placed in the middle of the footer or on both sides, but if placed on both sides, it must be noted that odd numbered pages are placed on the right, while even numbered pages need to be placed on the left. If arranged in reverse order, the opposite is true, with odd numbered pages on the left and even numbered pages on the right.
掉毛現(xiàn)象在畫冊印刷過程中不但使圖像受污染，而且加重了清洗橡皮布的負(fù)擔(dān)，盡管紙的表面沒有產(chǎn)生掉毛現(xiàn)象，但在紙張之間或油墨中混有雜物時，這些雜物就會隨著印刷畫冊的油墨轉(zhuǎn)移到橡皮布上，堆積到相當(dāng)程度時，也會引起類似掉毛的故障，那么我們?nèi)绾谓鉀Q這些問題呢。
The phenomenon of hair loss not only pollutes the image during the printing process of the picture album, but also increases the burden of cleaning the rubber cloth. Although there is no hair loss on the surface of the paper, when there are impurities mixed between the paper or ink, these impurities will transfer to the rubber cloth with the printing ink of the picture album. When they accumulate to a considerable extent, they will also cause similar hair loss faults. So how can we solve these problems.
紙粉是用切紙機(jī)切紙時的極微妙的原因而產(chǎn)生的，由于刀刃磨損，上下刃不吻合，紙張切割時微小的移動以及振動等，都有可能產(chǎn)生紙粉，使用多色機(jī)時，組輥筒可把圖像部位上的紙粉讓油墨吸收，非圖像部的紙粉被浸潤水吸收掉，如果碰到因交貨期急而不得不使用紙粉較多的紙時，可讓單色機(jī)或多色機(jī)的組輥筒，先用浸潤水空轉(zhuǎn)一次，這樣就可把紙粉去除掉了。
Paper powder is caused by extremely subtle reasons when cutting paper with Paper cutter. Paper powder may be produced due to blade wear, mismatching of upper and lower edges, slight movement and vibration during paper cutting, etc. When using the multi-color machine, the roller assembly can absorb the paper powder on the image part to let the ink absorb, and the paper powder on the non image part is absorbed by soaking water. If the paper with more paper powder has to be used due to the urgent delivery date, The rollers of a monochrome or multi-color machine can be idled once with soaking water to remove the paper powder.
除了紙粉以外，引起白斑點(diǎn)的雜物還有從紙的關(guān)系方面來的:紙粉，刮刀渣，造紙機(jī)上毛毯和帆布的纖維，其他渣滓，來源于抽墨的:油墨渣，來源于印刷機(jī)印刷畫冊時的:水輥的脫毛，噴霧粉末。
In addition to paper powder, the sundries that cause white spots also come from the relationship of paper: paper powder, scraper residue, fibers of blankets and canvas on paper machines, and other dregs, which come from ink extraction: ink residue, which comes from the depilation of water rollers, and spray powder when the printing machine prints albums.
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